Tuesday, February 19, 2013

un début de quelque chose


Contexte : Le père de Rose, en rentrant un soir de la grande ville, frappe un chevreuil. Son pickup qui allait vite sur l’autoroute tombe dans rivière. Il meurt.

ROSE (7 ans)

J’ai les pieds dans la rivière, les cailloux entre les orteils. J’avance aussi loin que je peux tout en toujours touchant au fond de l’eau parce que je sais pas bien nager. Et le courant est fort. J’approche ma bouche de l’eau. Je te parle, mon petit papa poisson. 

Papa poisson, es-tu là ? Es-tu là, papa poisson ? Viens me bécoter les orteils, les orteils de ta pétale de Rose.

Maman pleure sans arrêt depuis que tu es parti. Tellement qu’elle a inondé la cave de ses larmes. Elle a dût appeler l’oncle ricaneur, Richard, pour qu’il l’aide à chasser l’eau de notre cave. J’aurais voulu qu’on la garde, toute cette eau, car comme ça j’aurais pu te repêcher et t’aurais pu revenir habiter avec nous. Maman et moi on pourrait dormir sur des matelas gonflables sur l’eau et quand on voudrait entendre tes histoires on aurait qu’à mettre nos oreilles près de l’eau.

Je me dis que tu dois être une barbue de rivière car j’aimais tant enfouir mon visage dans ta grosse barbe épaisse noire. Aussi, t’étais aussi doux qu’un vieux matou qui passe sa journée à ronronner au soleil.

Wednesday, January 02, 2013

A year in review, the 2012 edition

As the yearly tradition that started in 2008, here is my look back on the past year. 2012, the last year of my twenties was all about affirming myself and focussing on the things that make me happy (like creating and spending time with loved ones). I resigned from my position as production manager for the company I worked with and focused on being a playwright. 2012 was the year of awards/grants: being nominated for two Prix Rideau Awards, receiving the Prix Création du Ministère de la Culture de l'Ontario and obtaining my first Jets de Théâtre. 2012 was also a year of interviews, five given to the media in two different contexts (Prix Création and Les Feuilles Vives), of travel for both work and pleasure (Cancun, Quebec City, Toronto, Montreal, Calgary, India), of going to festivals (UnderCurrents, Carrefour International, Dramaturgies en dialogue, Les Feuilles Vives) and taking master classes (with Frank Heibert et Larry Tremblay), of speaking in front of an audience (Prix Rideau Awards, Les Petites Trouvailles, Les Feuilles Vives). And finally, 2012 was the summer of the amazing garden party, where J. and I celebrated our life together with the people who are dear to us. All in all, 2012 was a wonderful year!

In keeping with tradition, here's my year in theatre and books.

2012, a year of theatre:
Madame Després et sa bonne amie
Blood on the Moon
Carte Blanche 
Live from the Belly of a Whale
Blue Box
And then it Happens
Falling Open
Highway 63: The Fort Mac Show
Wee Tube 5400
Laboratoire Geste
Zone
Opéra de quat’sous
La Séduction pour les nuls
II (deux)
East of Berlin
Cinémassacre
La Mandragore
La Petite poule d’eau
Léo
Traces
Boeing Boeing
Henry V
A Midsummer Night’s Dream
Quelques humains
Le Tour de l’île
Snapshot
Déluge
Poésie, sandwichs et autres soirs qui penchent
L’Implorante
Albertine en cinq temps
The Number 14
La Scaphadrière

(I realize that this list would be much longer were I to list all of the readings of new plays and translations that I attend, as this fall alone I must have gone to at least twenty...)

2012, a year of paper (books and plays...)
By the Bog of Cats - Marina Carr
Bury your Dead - Louise Penny
Europe, The Arcitecht, The Cosmonaut’s last message to the woman, He once loved the former Soviet-Union - David Greig
Boeing Boeing - Marc Camoletti
Je... adieu - Mélanie Léger
Vie d’cheval - André Roy et Mélanie Léger
Long Days Journey Into Night - Eugene O’Neill
Vladimir Maïakovski, La Punaise, Le Mistère-bouffe, La Grande lessive - Vladimir Maïakovski
Medici Slot Machine - Mark Brownell
Gordon - Morris Panych
L’Enclos de l’éléphant - Étienne Lepage
The Elements of Subtitles - D. Bannon
The Sisters Brothers - Patrick De Witt
The Arabian Nights: Tales of 1001 Nights, vol. 1
By Grand Central Station I Sat Down and Wept and The Assumption of the Rogues & Rascals - Elizabeth Smart
Autobiography of Red - Anne Carson
If We Were Birds - Erin Shields
Océan mer - Alessandro Baricco
Contre le temps - Geneviève Billette
Dissidents - Philippe Ducros
The Heart is a Lonely Hunter - Carson McCullers
The Hunger Games - Suzanne Collins
Catching Fire - Suzanne Collins
Mockingjay - Suzanne Collins
Vomir - Émilie Legris
Poésies complètes - Émile Nelligan
ru - Kim Thúy
1Q84 - Haruki Murakami
Bloodletting & Miraculous Cures - Vincent Lam
Blasted, Phaedra’s Love, Cleansed, Crave, 4.48 Psychosis, Skin - Sarah Kane
Le château des destins croisés - Italo Calvino
Stupeur et tremblement - Amélie Nothomb
Something Fierce - Carmen Aguirre
The Golden Notebook - Doris Lessing
A Confederacy of Dunces - John Kennedy Toole
L’Énéide - Olivier Kemeid
Le machin - Philipp Löhle
A Million Little Pieces - James Frey
Fratrie - Marc-Antoine Cyr
Poèmes anglais, le pays de personne, la fissure de la fiction - Patrice Desbiens
A Tale of Two Cities - Charles Dickens
Un château sur le dos - Martin Bellemare
Ernest T - Francis Monty
Tu iras la chercher - Guillaume Corbeil
Le ventriloque - Larry Tremblay
L’enfant matière - Larry Tremblay
Princesses - Catherine Léger
Faire des enfants - Éric Noël
Billy (Les jours de hurlement) - Fabien Cloutier
Comment tuer Shakespeare - Normand Chaurette
La chair et autres fragments de l’amour - Evelyne de la Chenelière
Leçon d’anatomie - Larry Tremblay
Bossypants - Tina Fey
Cantate de guerre - Larry Tremblay
Brave New World - Aldous Huxley
La Scaphandrière et L’Enfant lunaire - Daniel Danis
Anky ou la fuite / opéra du désordre - Christian Lapointe

Friday, October 26, 2012

La relève dramaturgique franco-ontarienne

Cliquez ici pour visionner mon entrevue avec Ruby TFO :

Monday, July 23, 2012

en dialogue

As I am starting my new chapter as a quasi-full time freelance writer I find that my biggest fear is shutting myself off from others, including my peers. It's easy to get lost in words, in narrative. Such was the case when I was in grad school. I could spend days in front of the computer and piles of opened books. Because of the size of my program (I was alone in first year and my advisor was on mat. leave a portion of the time) I lacked a sense of community which I think would have been rather beneficial to my work. One of the great things about my work the past three years is that I have had no choice but to collaborate with others, to rely and depend on others. As a playwright I am therefore hungry for moments of exchange, either in regards to my own practice or the writing of others.

I am really grateful for certain organizations such as Théâtre Action and l'Association des théâtres francophones du Canada, as they have created this amazing support systems that help playwrights enter into dialogue and grow as artists. It is also thanks to these two organizations that I am finally daring to commit to being a playwright, and a vocal one for that matter. I don't wish to write in obscurity, hoping that one day a theatre company might want to produce my work. I want to be an active member of this community.

Through the creation of its Cercles d'auteurs, Théâtre Action provides a space for playwrights to meet and exchange on a regular basis, to get feedback on work, to hear about new projects. Also, in line with this, they have created a new play reading festival, in which I'll be presenting a fifteen minute exert. For its part, l'ATFC creates countless partnerships with organizations and companies both nationally and internationally. I couldn't possibly list them all as they are ever increasing, but for my part, I've been able to participate in the 2010 Festival du Jamais lu (rencontres d'auteurs and readings) and in September, to the fourth edition of Dramaturgie en dialogue (readings, round tables and more).

With Feuilles Vives and now Dramaturgie en dialogue, September is truly going to be a month of discovery and of dialogue, both scripted and not.

Wednesday, July 11, 2012